We discuss the recent directorial debut of Anna Kendrick in Woman of the Hour (2024) on Netflix. We explore the dating game television subgenre, 1970s dating culture, The Dating Game TV show as a metaphor for the predatory murders of serial killer, Rodney Alcala, and Kendrick’s depiction of the real-life Sheryl Bradshaw, as we note the differences between acting and performance concerning sexism and objectification of women in the ‘70s.
We discuss the recent directorial debut of Anna Kendrick in Woman of the Hour (2024) on Netflix. We explore the dating game television subgenre, 1970s dating culture, The Dating Game TV show as a metaphor for the predatory murders of serial killer, Rodney Alcala, and Kendrick’s depiction of the real-life Sheryl Bradshaw, as we note the differences between acting and performance concerning sexism and objectification of women in the ‘70s.
CW | TW: This episode discusses assault, rape, and murder. Listener discretion is advised.
Email: severedpodcast@gmail.com
Website: severedpodcast.com
Facebook: facebook.com/severedpodcast
Instagram: @severed_podcast
Hosts: Harry Chambers + Drew Hudson
Logo Art: Drew Hudson
Theme Song Composer | Podcast Editor: Harry Chambers
Show Concept | Researcher | Lead Writer: Drew Hudson
Available on RadioGardenState
Available on Rogue Media Network
Sources
Series: Woman of the Hour (Netflix)
Article: “A Cultural History of TV Dating Shows” by Joe Reid (PrimeTimer)
Article: “The Wacky 52-Year-Long Evolution of Dating Shows on TV” by Amy Daire (non-paywalled; Business Insider)
Article: “Dating Shows” (IMDb)
Wikipedia Entry/List: “Dating Game Show”
Article: “Why We Can’t Get Enough of Reality Dating Shows” by Jordana Comiter (PopSugar)
Article: “Why Reality TV Dating Shows Are Survival Competitions” by Dr. Isabelle Morley, Psy.D.
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